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Chorale: Wie soll ich dich empfangen

Track

by

Boston Bach Ensemble,

Julian Wachner,

Peter Watchorn, organ / artistic direction,

Anne Harley, soprano,

The Choir of Marsh Chapel, Boston University,

Elizabeth Anker, alto,

Max van Egmond, bass

Collaborators: 4

Popularity:

Released:

Nov 10, 2006

Duration:

01:10

Tempo:

71

BPM

Key:

G#

© (C) 2006 Musica Omnia

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Chorale: Wie soll ich dich empfangen

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Chorale: Wie soll ich dich empfangen

Boston Bach Ensemble

1

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Tracks

1

Chorus: Falt mit Danken

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

1

Chorus: Jauchzet, frohlocket

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

2

Recitative: Und da acht Tage

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

2

Recitative: Es begab sich aber

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

3

Recitative: Nun wird mein liebster Bräutigam

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

3

Recitative: Immanuel, O süßes wort / Choral: Jesu, du mein liebstes Leben

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

4

Aria: Flößt, mein Heiland

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

4

Aria: Bereite dich, Zion

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

5

Chorale: Wie soll ich dich empfangen

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

5

Recitative: Wohlan dein Name soll allein /Choral: Jesu, meine Freund und Wonne

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

6

Aria: Ich will nur dir u Ehren Leben

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

6

Recitative: Und sie gebar ihren ersten Sohn

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

7

Choral: Jesus richte mein Beginnen

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

7

Chorale: Er ist auf erden kommen / Recitative: Wer will die Liebe recht erhöhn

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

8

Aria: Großer Herr, O starker König

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

8

Chorus: Ehre sei dir, Gott, gesungen

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

9

Recitative: Da Jesus geboren war

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

9

Chorale: Ach, mein herzliebes Jesulein!

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

10

Sinfonia - Hirtenmusik

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

10

Chorus: Wo ist der neugeborne König / Recitative: Sucht ihn in meiner Brust

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

11

Chorale: Dein Glanz all FInsternis verzehrt

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

11

Recitative: Und es waren Hirten

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

12

Chorale: Brich an, o schönes Morgenlicht

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

12

Aria: Erleucht auch meine finstre Sinnen

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

13

Recitative: Und der Engel sprach / Recitative: Fürchtet euch nicht

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

13

Recitative: Da das der König Herodes

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

14

Recitative: Was Gott dem Abraham

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

14

Recitative: Warum wollt ihr erschrecken?

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

15

Recitative: Und ließ versammlen

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

15

Aria: Frohe Hirten, eilt, ach eilet

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

16

Recitative: Und das habt zum Zeichen

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

16

Terzetto: Ach, wenn wird

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

17

Chorale: Schaut hin! dort liegt in finstern Stall

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

17

Recitative: Mein liebster Herrschet schon

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

18

Chorale: Zwar ist solche Herzensstube

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

18

Recitative: So geht denn hin

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

19

Chorus: Herr, wenn die stolzen Feinde schnauben

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

19

Aria: Schlafe, mein Liebster

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

20

Recitative: Da berief Herodes die Weisen / Recitative: Ziehet hin und forschet

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

20

Recitative: Und alsobald war

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

21

Chorus: Ehre sei Gott in der Höhe

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

21

Recitative: Du Falscher, suche nur

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

22

Aria: Nur ein Wink von sienen Händen

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

22

Recitative: So recht, ihr Engel

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

23

Chorale: Wir singen dir in deinem Heer

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

23

Recitative: Als sie nun den König

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

24

Chorus: Herrscher des Himmels

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

24

Chorale: Ich steh' an deiner Kripper hier

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

25

Recitative: Und da die Engel

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

25

Recitative: Und Gott befahl ihnen

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

26

Recitative: So geht! Genug

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

26

Chorus: Lasset uns nun gehen

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

27

Arira: Nun mögt ihr stolzen Feinde

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

27

Recitative: Er hat sein Volk

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

28

Recitative: Was will der höllen

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

28

Chorus: Dies hat er alles uns getan

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

29

Duet: Herr, dein Mitleid

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, The Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

29

Chorale: Nun seid ihr wohl gerochen

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

30

Recitative: Und die kamen eiland

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

31

Aria: Schließe, mein Herze

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

32

Recitative: Ja, ja! mein Herz soll es bewahren

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

33

Chorale: Ich will dich mit Fleiß bewahren

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

34

Recitative: Und die Hirten kehrten

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

35

Chorale: Seid froh, dieweil daß eurer Heil

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass

36

Chorus: D.C. - Herrscher des Himmels

Anne Harley, soprano, The Choir of Marsh Chapel, Boston University, Elizabeth Anker, alto, Boston Bach Ensemble, Peter Watchorn, organ / artistic direction, Julian Wachner, Max van Egmond, bass