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Lehár: The Merry Widow, Act II: March-Septet. "Wie die Weiber man behandelt?" (Live at Royal Festival Hall, 1993)

Track

by

London Philharmonic Orchestra,

Franz Welser-Möst,

Thomas Hampson,

Stuart MacIntyre,

Kurt Azesberger,

Rudolf Schasching,

Robert Poulton,

Howard Quilla Croft,

Christopher Parke

Collaborators: 17

Popularity:

Released:

Jan 1, 1994

Duration:

05:54

© 2020 Parlophone Records Limited, a Warner Music Group Company

℗ 1994 Parlophone Records Limited, a Warner Music Group Company

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Lehár: The Merry Widow, Act II: March-Septet. "Wie die Weiber man behandelt?" (Live at Royal Festival Hall, 1993)

℗ 1994 Parlophone Records Limited, a Warner Music Group Company

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Lehár: The Merry Widow, Act II: March-Septet. "Wie die Weiber man behandelt?" (Live at Royal Festival Hall, 1993)

Franz Lehár

13

credits

Songwriters (1)

Composer

Musicians (2)

Vocals

Stuart MacIntyre

Kurt Azesberger

Rudolf Schasching

Howard Quilla Croft

Christopher Parke

Instrumentation

London Philharmonic Orchestra

Visual (0)

Organizations (1)

Record Label

Warner Classics

Producers (1)

Conductor

Franz Welser-Möst

Franz Welser-Möst

Engineers (0)

Management (0)

Others (0)

Songwriters (1)

Composer

Producers (1)

Conductor

Franz Welser-Möst

Franz Welser-Möst

Musicians (2)

Vocals

Stuart MacIntyre

Kurt Azesberger

Rudolf Schasching

Howard Quilla Croft

Christopher Parke

Instrumentation

London Philharmonic Orchestra

Engineers (0)

Visual (0)

Management (0)

Organizations (1)

Record Label

Warner Classics

Others (0)

Links

Spotify

Tracks

1

Lehár: The Merry Widow, Act I: Introduction. "Verehrteste Damen und Herren" (Live at Royal Festival Hall, 1993)

Kurt Azesberger, Franz Lehár, London Philharmonic Orchestra, John Aler, Felicity Lott, Glyndebourne Chorus, Elzbieta Szmytka, Rudolf Schasching, Thomas Hampson, Franz Welser-Möst, Robert Poulton

2

Lehár: The Merry Widow, Act I: Narration. "You are looking at a man with no axe to grind" (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

3

Lehár: The Merry Widow, Act I: Duet. "So kommen Sie" (Live at Royal Festival Hall, 1993)

Franz Lehár, London Philharmonic Orchestra, John Aler, Elzbieta Szmytka, Franz Welser-Möst

4

Lehár: The Merry Widow, Act I: Narration. "How is your German, by the way?" (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

5

Lehár: The Merry Widow, Act I: Entrance Song. "Bitte, meine Herr'n" (Live at Royal Festival Hall, 1993)

Kurt Azesberger, Franz Lehár, London Philharmonic Orchestra, Felicity Lott, Glyndebourne Chorus, Rudolf Schasching, Franz Welser-Möst

6

Lehár: The Merry Widow, Act I: Narration. "Before you could say joint bank account..." (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

7

Lehár: The Merry Widow, Act I: Song. "O Vaterland" (Live at Royal Festival Hall, 1993)

Franz Lehár, London Philharmonic Orchestra, Thomas Hampson, Franz Welser-Möst

8

Lehár: The Merry Widow, Act I: Narration. "After which he had forty winks on a sofa" (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

9

Lehár: The Merry Widow, Act I: Charms of Domestic Life. "Ja was? Ein trautes Zimmerlein" (Live at Royal Festival Hall, 1993)

Franz Lehár, London Philharmonic Orchestra, John Aler, Elzbieta Szmytka, Franz Welser-Möst

10

Lehár: The Merry Widow, Act I: Narration. "At this point, Kromow has found the fan" (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

11

Lehár: The Merry Widow, Act I: Ball Music - Finale. "Damenwahl!" (Live at Royal Festival Hall, 1993)

Kurt Azesberger, Franz Lehár, London Philharmonic Orchestra, Felicity Lott, Glyndebourne Chorus, Rudolf Schasching, Thomas Hampson, Franz Welser-Möst

12

Lehár: The Merry Widow, Act I: "Oh kommet doch, oh kommt..." (Live at Royal Festival Hall, 1993)

Kurt Azesberger, Franz Lehár, London Philharmonic Orchestra, Felicity Lott, Glyndebourne Chorus, Elzbieta Szmytka, Rudolf Schasching, Thomas Hampson, Franz Welser-Möst

13

Lehár: The Merry Widow, Act I: "Der junge Mann tanzt Polka" (Live at Royal Festival Hall, 1993)

Kurt Azesberger, Franz Lehár, London Philharmonic Orchestra, John Aler, Felicity Lott, Glyndebourne Chorus, Elzbieta Szmytka, Rudolf Schasching, Thomas Hampson, Franz Welser-Möst

14

Lehár: The Merry Widow, Act II: Introduction and Dance. "Ich bitte, hier jetzt zu verweilen" - Vilja Song. "Es lebt eine Vilja" (Live at Royal Festival Hall, 1993)

Franz Lehár, London Philharmonic Orchestra, Felicity Lott, Glyndebourne Chorus, Franz Welser-Möst

15

Lehár: The Merry Widow, Act II: Narration. "Whenever I hear that sound, I'm carried back to that summer evening" (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

16

Lehár: The Merry Widow, Act II: The Stupid Rider Song. "Heia, Mädel, aufgeschaut" (Live at Royal Festival Hall, 1993)

Franz Lehár, London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, Franz Welser-Möst

17

Lehár: The Merry Widow, Act II: Narration. "You remember the fan?" (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

18

Lehár: The Merry Widow, Act II: March-Septet. "Wie die Weiber man behandelt?" (Live at Royal Festival Hall, 1993)

Christopher Parke, Kurt Azesberger, Franz Lehár, London Philharmonic Orchestra, Stuart MacIntyre, Howard Quilla Croft, Rudolf Schasching, Thomas Hampson, Franz Welser-Möst, Robert Poulton

19

Lehár: The Merry Widow, Act II: Narration. "Those were the days when women in Paris were only good for two things..." (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

20

Lehár: The Merry Widow, Act II: Duet. "Mein Freund, Vernunft!" - Romance. "Wie eine Rosenknospe" (Live at Royal Festival Hall, 1993)

Franz Lehár, London Philharmonic Orchestra, John Aler, Elzbieta Szmytka, Franz Welser-Möst

21

Lehár: The Merry Widow, Act II: Narration. "Briefly Valencienne and Camille entered the summer house" (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

22

Lehár: The Merry Widow, Act II: Finale. "Ha! Ha! Wir fragen was man von uns will?" (Live at Royal Festival Hall, 1993)

Franz Lehár, London Philharmonic Orchestra, John Aler, Felicity Lott, Elzbieta Szmytka, Thomas Hampson, Franz Welser-Möst, Robert Poulton

23

Lehár: The Merry Widow, Act II: Narration. "Have you got the picture?" (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

24

Lehár: The Merry Widow, Act II: "Den Herrschaften hab'ich was zu erzahlen!" (Live at Royal Festival Hall, 1993)

Franz Lehár, London Philharmonic Orchestra, John Aler, Felicity Lott, Glyndebourne Chorus, Elzbieta Szmytka, Thomas Hampson, Franz Welser-Möst, Robert Poulton

25

Lehár: The Merry Widow, Act II: "Ganz nach Pariser Art!" (Live at Royal Festival Hall, 1993)

Christopher Parke, Franz Lehár, London Philharmonic Orchestra, John Aler, Felicity Lott, Stuart MacIntyre, Glyndebourne Chorus, Howard Quilla Croft, Elzbieta Szmytka, Thomas Hampson, Franz Welser-Möst, Robert Poulton

26

Lehár: The Merry Widow, Act II: "Es waren zwei Königskinder" (Live at Royal Festival Hall, 1993)

Christopher Parke, Franz Lehár, London Philharmonic Orchestra, John Aler, Felicity Lott, Stuart MacIntyre, Glyndebourne Chorus, Howard Quilla Croft, Elzbieta Szmytka, Thomas Hampson, Franz Welser-Möst, Robert Poulton

27

Lehár: The Merry Widow, Act II: Narration. "As we go into extra-time..." (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

28

Lehár: The Merry Widow, Act III: Dance Scene (Live at Royal Festival Hall, 1993)

Franz Lehár, London Philharmonic Orchestra, Franz Welser-Möst

29

Lehár: The Merry Widow, Act III: Song of the Grisettes. "Ja, wir sind es, die Grisetten" (Live at Royal Festival Hall, 1993)

Christopher Parke, Anna O'Byrne, Paula O'Sullivan, Alison Duguid, Franz Lehár, London Philharmonic Orchestra, Philippa Daly, Stuart MacIntyre, Glyndebourne Chorus, Joanna Campion, Howard Quilla Croft, Elzbieta Szmytka, Thomas Hampson, Franz Welser-Möst, Michelle Walton, Robert Poulton

30

Lehár: The Merry Widow, Act II: Narration. "Pontevedrian high society, it seemed, was determined to go out in a blaze of glory and frilly underwear" (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

31

Lehár: The Merry Widow, Act III: Duet. "Lippen schweigen" (Live at Royal Festival Hall, 1993)

Franz Lehár, London Philharmonic Orchestra, Felicity Lott, Thomas Hampson, Franz Welser-Möst

32

Lehár: The Merry Widow, Act III: Narration. "As the Pontevedrian proverb has it..." (Live at Royal Festival Hall, 1993)

Franz Lehár, Dirk Bogarde

33

Lehár: The Merry Widow, Act III: Closing Song. "Ja, das Stadium der Weiber ist schwerz" (Live at Royal Festival Hall, 1993)

Christopher Parke, Anna O'Byrne, Paula O'Sullivan, Kurt Azesberger, Alison Duguid, Franz Lehár, London Philharmonic Orchestra, Philippa Daly, John Aler, Stuart MacIntyre, Glyndebourne Chorus, Joanna Campion, Howard Quilla Croft, Elzbieta Szmytka, Rudolf Schasching, Thomas Hampson, Franz Welser-Möst, Michelle Walton, Robert Poulton