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Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1. L'istesse Tempo

Track

by

Heinz Bongartz,

Staatskapelle Berlin

Collaborators: 3

Popularity:

Released:

Apr 11, 2013

Duration:

02:33

Tempo:

95

BPM

Key:

A

© 2012 Brilliant Classics

℗ 2013 Brilliant Classics

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Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1. L'istesse Tempo

2013 Brilliant Classics

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Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1. L'istesse Tempo

Max Reger

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Tracks

1

A Ballet Suite, Op. 130: I. Entrée. Tempo di marcia

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

2

A Ballet Suite, Op. 130: II. Colombine. Adagietto (Molto tranquillo)

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

3

A Ballet Suite, Op. 130: III. Harlequin. Vivace

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4

A Ballet Suite, Op. 130: IV. Pierrot und Pierrette. Larghetto

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

5

A Ballet Suite, Op. 130: V. Valse d'amour. Sostenuto - Tempo di valse

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6

A Ballet Suite, Op. 130: VI. Finale. Presto

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

7

Concerto in the Old Style, Op. 123: I. Allegro con spirito

Otmar Suitner, Max Reger, Heinz Schunk, Staatskapelle Berlin

8

Concerto in the Old Style, Op. 123: II. Largo

Otmar Suitner, Max Reger, Heinz Schunk, Staatskapelle Berlin

9

Concerto in the Old Style, Op. 123: III. Allegro

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10

Variations and Fugue on a Theme of Beethoven, Op. 86 (arr. for Orchestra): Andante

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

11

Variations and Fugue on a Theme of Beethoven, Op. 86 (arr. for Orchestra): Variation 1. Un poco più lento

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

12

Variations and Fugue on a Theme of Beethoven, Op. 86 (arr. for Orchestra): Variation 2. Appassionato

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

13

Variations and Fugue on a Theme of Beethoven, Op. 86 (arr. for Orchestra): Variation 3. Andantino grazioso

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

14

Variations and Fugue on a Theme of Beethoven, Op. 86 (arr. for Orchestra): Variation 4. Vivace

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

15

Variations and Fugue on a Theme of Beethoven, Op. 86 (arr. for Orchestra): Variation 5. Andante sostenuto

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

16

Variations and Fugue on a Theme of Beethoven, Op. 86 (arr. for Orchestra): Variation 6. Allegretto con grazia

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

17

Variations and Fugue on a Theme of Beethoven, Op. 86 (arr. for Orchestra): Variation 7. Poco vivace

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

18

Variations and Fugue on a Theme of Beethoven, Op. 86 (arr. for Orchestra): Variation 8. Allegro pomposo

Otmar Suitner, Max Reger, Karl Suske, Staatskapelle Berlin

19

Variations and Fugue on a Theme of Beethoven, Op. 86 (arr. for Orchestra): Fugue. Con spirito (Non troppo allegro)

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20

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Theme. Andante grazioso

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21

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Variation 1. Più andante

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22

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Variation 2. Allegretto con grazia - Meno allegretto - Andante sostenuto - Largo

Gewandhausorchester, Max Reger, Franz Konwitschny

23

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Variation 3. Vivace

Gewandhausorchester, Max Reger, Franz Konwitschny

24

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Variation 4. Poco vivace

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25

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Variation 5. Andante sostenuto -Quasi più andante - Tempo primo - Più lento

Gewandhausorchester, Max Reger, Franz Konwitschny

26

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Variation 6. Tempo di minuetto - Meno mosso - Tempo primo

Gewandhausorchester, Max Reger, Franz Konwitschny

27

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Variation 7. Presto

Gewandhausorchester, Max Reger, Franz Konwitschny

28

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Variation 8. Andante con moto

Gewandhausorchester, Max Reger, Franz Konwitschny

29

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Variation 9. Allegro con spirito - Poco meno mosso - Tempo primo

Gewandhausorchester, Max Reger, Franz Konwitschny

30

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Variation 10. Allegro appassionato

Gewandhausorchester, Max Reger, Franz Konwitschny

31

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Variation 11. Andante con moto - Più lento - Largo - Più largo

Gewandhausorchester, Max Reger, Franz Konwitschny

32

Variations and Fugue on a Theme of J.A. Hiller, Op. 100: Fugue. Allegro moderato - Meno mosso - Tempo primo -Quasi largo - Più largo

Gewandhausorchester, Max Reger, Franz Konwitschny

33

Variations and Fugue on a Theme of Mozart, Op. 132: Andante grazioso

Heinz Bongartz, Max Reger, Staatskapelle Berlin

34

Variations and Fugue on a Theme of Mozart, Op. 132: Variation 1. L'istesse Tempo

Heinz Bongartz, Max Reger, Staatskapelle Berlin

35

Variations and Fugue on a Theme of Mozart, Op. 132: Variation 2. Poco agitato

Heinz Bongartz, Max Reger, Staatskapelle Berlin

36

Variations and Fugue on a Theme of Mozart, Op. 132: Variation 3. Con moto

Heinz Bongartz, Max Reger, Staatskapelle Berlin

37

Variations and Fugue on a Theme of Mozart, Op. 132: Variation 4. Vivace

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38

Variations and Fugue on a Theme of Mozart, Op. 132: Variation 5. Quasi presto

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39

Variations and Fugue on a Theme of Mozart, Op. 132: Variation 6. Sostenuto

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40

Variations and Fugue on a Theme of Mozart, Op. 132: Variation 7. Andante grazioso

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41

Variations and Fugue on a Theme of Mozart, Op. 132: Variation 8. Molto sostenuto

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42

Variations and Fugue on a Theme of Mozart, Op. 132: Fugue. Allegretto grazioso

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43

Four Tone Poems after Arnold Böcklin, Op. 128: I. The Hermit Playing the Violin. Molto sostenuto

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44

Four Tone Poems after Arnold Böcklin, Op. 128: II. The Play of the Waves. Vivace

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45

Four Tone Poems after Arnold Böcklin, Op. 128: III. The Isle of the Dead. Molto sostenuto (Doch nie Schleppend)

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46

Four Tone Poems after Arnold Böcklin, Op. 128: IV. Bacchanal. Vivace

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47

Sinfonietta, Op. 90: I. Allegro moderato (Quasi allegretto)

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48

Sinfonietta, Op. 90: II. Scherzo. Allegro vivace - Trio. Moderato

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49

Sinfonietta, Op. 90: III. Larghetto

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50

Sinfonietta, Op. 90: IV. Allegro con spirito – Più allegro

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51

To Hope, Op. 124, for Alto and Orchestra

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52

Hymn of Love, Op. 136, for Alto/Baritone and Orchestra

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53

Violin Concerto, Op. 101: I. Allegro moderato

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54

Violin Concerto, Op. 101: II. Largo con gran espressione

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55

Violin Concerto, Op. 101: III. Allegro moderato (ma con spirito)

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56

Piano Concerto, Op. 114: I. Allegro moderato

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57

Piano Concerto, Op. 114: II. Largo con gran espressione

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58

Piano Concerto, Op. 114: III. Allegro con spirito

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59

Symphonic Prologue to a Tragedy, Op. 108 (Short Version): Grave - Allegro agitato - Andante sostenuto - Largo

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60

A Romantic Suite, Op. 125: I. Notturno. Molto sostenuto

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61

A Romantic Suite, Op. 125: II. Scherzo. Vivace

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62

A Romantic Suite, Op. 125: III. Finale. Molto sostenuto

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63

String Trio in A Minor, Op. 77b: I. Sostenuto - Allegro agitato

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64

String Trio in A Minor, Op. 77b: II. Larghetto

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65

String Trio in A Minor, Op. 77b: III. Scherzo. Vivace

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66

String Trio in A Minor, Op. 77b: IV. Allegro con moto

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67

Clarinet Quintet, Op. 146: I. Moderato ed Amabile

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68

Clarinet Quintet, Op. 146: II. Vivace

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69

Clarinet Quintet, Op. 146: III. Largo

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70

Clarinet Quintet, Op. 146: IV. Poco allegretto

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71

Chorale Fantasia, Op. 27: Ein' feste Burg ist unser Gott

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72

Chorale Fantasia, Op. 30: Freu' dich sehr, o meine Seele

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73

Chorale Fantasias, Op. 40: Wie schön leucht't uns der Morgenstern

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74

Chorale Fantasias, Op. 40: Straf' mich nicht in deinem Zorn

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75

Chorale Fantasias, Op. 52: Alle Menschen müssen sterben

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76

Chorale Fantasias, Op. 52: Wachet auf, ruft uns die Stimme

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77

Chorale Fantasias, Op. 52: Halleluja! Gott zu loben, bleibe meine Seelenfreud

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78

8 Sacred Songs, Op. 138, for 4-8 Mixed Voices: No. 1. Der Mensch lebt und bestehet nur eine kleine Zeit

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79

8 Sacred Songs, Op. 138, for 4-8 Mixed Voices: No. 2. Morgengesang (Du höchstes Licht)

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80

8 Sacred Songs, Op. 138, for 4-8 Mixed Voices: No. 3. Nachtlied (Die Nacht ist kommen)

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81

8 Sacred Songs, Op. 138, for 4-8 Mixed Voices: No. 4. Unser lieben Frauen Traum

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82

Sacred Songs, Op. 110, 5-part Motets for A Capella Choir: No. 1. Mein Odem is nicht schwach

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83

Sacred Songs, Op. 110, 5-part Motets for A Capella Choir: No. 2. Ach, Herr, strafe mich nicht

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84

Sacred Songs, Op. 110, 5-part Motets for A Capella Choir: No. 3. O Tod, wie bitter bist du

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