Home
Search
Credits
Analytics

Download App

Mahler: Les symphonies - La discothèque idéale de Diapason, Vol. 28

Album

by

Collaborators: 53

Popularity:

Released:

Sep 30, 2023

© 2023 La discothèque idéale de Diapason, a trademark of Reworld Media Group

℗ 2023 La discothèque idéale de Diapason, a trademark of Reworld Media Group

Copy Link

Mahler: Les symphonies - La discothèque idéale de Diapason, Vol. 28

2023 La discothèque idéale de Diapason, a trademark of Reworld Media Group

Play on Spotify

Mahler: Les symphonies - La discothèque idéale de Diapason, Vol. 28

Gustav Mahler

8

credits

Songwriters (2)

Composer

Lyricist

Friedrich Nietzsche

Musicians (3)

Instrumentation

New York Philharmonic

Vocals

Choir

Women's Chorus of The Schola Cantorum

Boys' Choir of the Church of Transfiguration

Visual (0)

Organizations (0)

Producers (1)

Conductor

Leonard Bernstein

Engineers (0)

Management (0)

Others (0)

Songwriters (2)

Composer

Lyricist

Friedrich Nietzsche

Producers (1)

Conductor

Leonard Bernstein

Musicians (3)

Instrumentation

New York Philharmonic

Vocals

Choir

Women's Chorus of The Schola Cantorum

Boys' Choir of the Church of Transfiguration

Engineers (0)

Visual (0)

Management (0)

Organizations (0)

Others (0)

Links

Spotify

Tracks

1

Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Chorus 1, Chorus 2)

Gustav Mahler, BBC Choral Society, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Jascha Horenstein

1

Symphony No. 3, Pt. 1: I. Kräftig, Entschieden

Gustav Mahler, Leonard Bernstein, New York Philharmonic

1

Symphony No. 1 "Titan": I. Langsam. Schleppend, wie ein Naturlaut

Wiener Philharmoniker, Gustav Mahler, Paul Kletzki

1

Symphony No. 5, Pt. 1: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt

Gustav Mahler, London Symphony Orchestra, Rudolf Schwarz

2

Symphony No. 5, Pt. 1: II. Stürmisch bewegt, mit grösster Vehemenz

Gustav Mahler, London Symphony Orchestra, Rudolf Schwarz

2

Symphony No. 3, Pt. 2: II. Tempo di Menuetto. Sehr mässig

Gustav Mahler, Leonard Bernstein, New York Philharmonic

2

Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Imple superna gratia" (Soprano 1, Tenor, Soprano 2, Contralto 1, Contralto 2, Baritone, Bass, Chorus 1, Chorus 2)

Joyce Barker, Arnold van Mill, Gustav Mahler, BBC Choral Society, Alfred Orda, Kerstin Meyer, Beryl Hatt, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Helen Watts, Jascha Horenstein, Kenneth Neate

2

Symphony No. 1 "Titan": II. Kräftig, bewegt, doch nicht zu schnell

Wiener Philharmoniker, Gustav Mahler, Paul Kletzki

3

Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Chorus 1, Chorus 2, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Bass, Baritone)

Joyce Barker, Arnold van Mill, Gustav Mahler, BBC Choral Society, Alfred Orda, Kerstin Meyer, Beryl Hatt, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Helen Watts, Jascha Horenstein, Kenneth Neate

3

Symphony No. 5, Pt. 2: III. Scherzo. Kräftig, nicht zu schnell

Gustav Mahler, London Symphony Orchestra, Rudolf Schwarz

3

Symphony No. 1 "Titan": III. Feierlich und gemessen, ohne zu schleppen

Wiener Philharmoniker, Gustav Mahler, Paul Kletzki

3

Symphony No. 3, Pt. 2: III. Comodo, Scherzando. Ohne Hast

Gustav Mahler, Leonard Bernstein, New York Philharmonic

4

Symphony No. 3, Pt. 2: IV. Sehr langsam. Misterioso. Durchaus leise, "O Mensch! Gib acht!" (Alto)

Gustav Mahler, Leonard Bernstein, New York Philharmonic, Martha Lipton

4

Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: Tempo primo. Allegro, etwas hastig

Gustav Mahler, London Symphony Orchestra, Jascha Horenstein

4

Symphony No. 5, Pt. 3: IV. Adagietto. Sehr langsam

Gustav Mahler, London Symphony Orchestra, Rudolf Schwarz

4

Symphony No. 1 "Titan": IV. Stürmisch bewegt

Wiener Philharmoniker, Gustav Mahler, Paul Kletzki

5

Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Infirma nostri corporis" (Bass, Tenor, Contralto 1, Contralto 2, Baritone, Soprano 1, Soprano 2)

Joyce Barker, Arnold van Mill, Gustav Mahler, Alfred Orda, Kerstin Meyer, Beryl Hatt, London Symphony Orchestra, Helen Watts, Jascha Horenstein, Kenneth Neate

5

Symphony No. 3, Pt. 2: V. Lustig im Tempo und keck im Ausdruck, "Es sungen drei Engel" (Chorus, Alto)

Gustav Mahler, Leonard Bernstein, Boys' Choir of the Church of Transfiguration, New York Philharmonic, Women's Chorus of the Schola Cantorum, Martha Lipton

5

Symphony No. 1 "Titan": III. Feierlich und gemessen, ohne zu schleppen

Gustav Mahler, Wiener Symphoniker, Jascha Horenstein

5

Symphony No. 5, Pt. 3: V. Rondo-Finale. Allegro

Gustav Mahler, London Symphony Orchestra, Rudolf Schwarz

6

Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Accende lumen sensibus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Boys' Choir, Chorus 1, Chorus 2)

Joyce Barker, Arnold van Mill, Gustav Mahler, Emanuel School Boy's Choir, BBC Choral Society, Alfred Orda, Kerstin Meyer, Beryl Hatt, Orpington Junior Singers, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Helen Watts, Jascha Horenstein, Kenneth Neate

6

Symphony No. 2 "Resurrection": III. In ruhig fliessender Bewegung (Scherzo)

Gustav Mahler, Royal Concertgebouw Orchestra, Rafael Kubelik

6

Symphony No. 5, Pt. 3: IV. Adagietto. Sehr langsam

Willem Mengelberg, Gustav Mahler, Royal Concertgebouw Orchestra

6

Symphony No. 3, Pt. 2: VI. Langsam, Ruhevoll. Empfunden

Gustav Mahler, Leonard Bernstein, New York Philharmonic

7

Symphony No. 10: I. Adagio - Andante

The Cleveland Orchestra, Gustav Mahler, George Szell

7

Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Veni, creator spiritus" (Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Baritone, Bass, Chorus 1, Chorus 2, Boys' Choir)

Joyce Barker, Arnold van Mill, Gustav Mahler, Emanuel School Boy's Choir, BBC Choral Society, Alfred Orda, Kerstin Meyer, Beryl Hatt, Orpington Junior Singers, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Helen Watts, Jascha Horenstein, Kenneth Neate

7

Symphonic No. 6 "Tragic": I. Allegro energico, ma non troppo. Heftig, aber markig.

Dimitri Mitropoulos, Gustav Mahler, New York Philharmonic

7

Symphony No. 2 "Resurrection": IV. Urlicht, "O Röschen rot! Der Mensch liegt in grösster Not". Sehr feierlich aber schlicht (Contralto)

Gustav Mahler, Royal Concertgebouw Orchestra, Otto Klemperer, Kathleen Ferrier

8

Symphony No. 3, Pt. 2: III. Comodo, Scherzando. Ohne Hast

Gustav Mahler, F. Charles Adler, Wiener Symphoniker

8

Symphony No. 2 "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck

Bruno Walter, Gustav Mahler, New York Philharmonic

8

Symphonic No. 6 "Tragic": III. Andante moderato

Dimitri Mitropoulos, Gustav Mahler, New York Philharmonic

8

Symphony No. 8 "Symphony of a Thousand" - Part I. Hymnus. Veni, creator spiritus: "Gloria sit Patri Domino" (Boys' Choir, Soprano 1, Soprano 2, Contralto 1, Contralto 2, Tenor, Chorus 1, Chorus 2, Baritone, Bass)

Joyce Barker, Arnold van Mill, Gustav Mahler, Emanuel School Boy's Choir, BBC Choral Society, Alfred Orda, Kerstin Meyer, Beryl Hatt, Orpington Junior Singers, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Helen Watts, Jascha Horenstein, Kenneth Neate

9

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": Poco adagio - Più mosso. (Allegro moderato)

Gustav Mahler, London Symphony Orchestra, Jascha Horenstein

9

Symphony No. 2 "Resurrection": II. Andante moderato. Sehr gemächlich, nie eilen

Bruno Walter, Gustav Mahler, New York Philharmonic

9

Symphonic No. 6 "Tragic": II. Scherzo. Wuchtig

Dimitri Mitropoulos, Gustav Mahler, New York Philharmonic

9

Symphony No. 2 "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend - "Aufersteh'n". Langsam, misterioso (Soprano, Chorus) - "O glaube, mein Herz". Etwas bewegter (Contralto, Soprano, Chorus)

Gustav Mahler, Royal Concertgebouw Orchestra, Otto Klemperer, Choir of the Concertgebouw Orchestra, Kathleen Ferrier, Jo Vincent

10

Symphonic No. 6 "Tragic": IV. Finale. Sostenuto - Allegro moderato - Allegro energico

Dimitri Mitropoulos, Gustav Mahler, New York Philharmonic

10

Symphony No. 2 "Resurrection": III. In ruhig fliessender Bewegung (Scherzo)

Bruno Walter, Gustav Mahler, New York Philharmonic

10

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Waldung, sie schwankt heran" (Chorus 1, Chorus 2)

Gustav Mahler, BBC Choral Society, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Jascha Horenstein

10

Symphony No. 4: I. Bedächtig, nicht eilen

Gustav Mahler, Fritz Reiner, Chicago Symphony Orchestra

11

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Ewiger Wonnebrand" (Pater ecstaticus)

Gustav Mahler, Alfred Orda, London Symphony Orchestra, Jascha Horenstein

11

Symphony No. 7: I. Langsam - Etwas weniger langsam - Nicht schleppen - Allegro con fuoco

Kirill Kondrashin, Gustav Mahler, Moscow Philharmonic Orchestra

11

Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast

Gustav Mahler, Fritz Reiner, Chicago Symphony Orchestra

11

Symphony No. 2 "Resurrection": IV. Urlicht, "O Röschen rot! Der Mensch liegt in grösster Not". Sehr feierlich aber schlicht (Contralto)

Bruno Walter, Gustav Mahler, New York Philharmonic, Maureen Forrester

12

Symphony No. 7: II. Nachtmusik. Allegro moderato

Kirill Kondrashin, Gustav Mahler, Moscow Philharmonic Orchestra

12

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Wie Felsenabgrund mir zu Füssen" (Pater profundus)

Arnold van Mill, Gustav Mahler, London Symphony Orchestra, Jascha Horenstein

12

Symphony No. 2 "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend - "Aufersteh'n". Langsam, misterioso (Soprano, Chorus) - "O glaube, mein Herz". Etwas bewegter (Contralto, Soprano, Chorus)

Bruno Walter, Gustav Mahler, New York Philharmonic, Emilia Cundari, Maureen Forrester, Westminster Choir

12

Symphony No. 4: III. Ruhevoll, poco adagio

Gustav Mahler, Fritz Reiner, Chicago Symphony Orchestra

13

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Gerettet ist das edle Glied der Geisterwelt .. Hände verschlinget euch" (Chor der Engel, Chor seliger Knaben)

Gustav Mahler, Emanuel School Boy's Choir, BBC Choral Society, Orpington Junior Singers, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Jascha Horenstein

13

Symphony No. 4: IV. Sehr behaglich. "Wir geniessen die Himmlischen Freuden" (Soprano)

Gustav Mahler, Fritz Reiner, Lisa della Casa, Chicago Symphony Orchestra

13

Symphony No. 7: III. Scherzo. Schattenhaft

Kirill Kondrashin, Gustav Mahler, Moscow Philharmonic Orchestra

14

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Jene Rosen aus den Händen" (Chor der jüngeren Engel)

Gustav Mahler, BBC Choral Society, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Jascha Horenstein

14

Symphony No. 4: I. Bedächtig, nicht eilen

Willem Mengelberg, Gustav Mahler, Royal Concertgebouw Orchestra

14

Symphony No. 7: IV. Nachtmusik. Andante amoroso

Kirill Kondrashin, Gustav Mahler, Moscow Philharmonic Orchestra

15

Symphony No. 4: II. In gemächlicher Bewegung, ohne Hast

Willem Mengelberg, Gustav Mahler, Royal Concertgebouw Orchestra

15

Symphony No. 7: V. Rondo - Finale. Tempo I (Allegro ordinario)

Kirill Kondrashin, Gustav Mahler, Moscow Philharmonic Orchestra

15

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Uns bleibt ein Erdenrest" (Die vollendeteren Engel, Contralto)

Gustav Mahler, BBC Choral Society, Kerstin Meyer, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Jascha Horenstein

16

Symphony No. 7: III. Scherzo. Schattenhaft

Gustav Mahler, Hermann Scherchen, Wiener Symphoniker

16

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Ich spür' soeben" (Die jüngeren Engel) - "Hier ist die Aussicht" (Doctor Marianus) - "Höchste Herrscherin der Welt!" (Doctor Marianus, Chorus 1, Chorus 2)

Gustav Mahler, Emanuel School Boy's Choir, BBC Choral Society, Orpington Junior Singers, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Jascha Horenstein, Kenneth Neate

17

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Dir, der Unberührbaren" (Chorus 1, Chorus 2) - Chor de Büβerinnen, "Du schwebst zu Höhen der ewigen Reiche" (Chorus 2, Una Poenitentium)

Gustav Mahler, BBC Choral Society, Agnes Giebel, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Jascha Horenstein

18

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Bei der Liebe" (Magna Peccatrix) - "Bei dem Bronn" (Mulier Samaritana) - "Bei dem hochgeweihten Orte" (Maria Aegyptiaca) - "Neige, neige" (Una poenitentium)

Joyce Barker, Gustav Mahler, Kerstin Meyer, Agnes Giebel, London Symphony Orchestra, Helen Watts, Jascha Horenstein

19

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Er überwächst uns schon" (Selige Knaben) - "Vom edlen Geisterchor umgeben" (Una poenitentium) - "Komm! hebe dich zu höhern Sphären!" (Mater gloriosa)

Gustav Mahler, Emanuel School Boy's Choir, BBC Choral Society, Agnes Giebel, Beryl Hatt, Orpington Junior Singers, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Jascha Horenstein

20

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Blicket auf zum Retterblick, alle reuig Zarten" (Doctor Marianus)

Gustav Mahler, Emanuel School Boy's Choir, BBC Choral Society, Orpington Junior Singers, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Jascha Horenstein, Kenneth Neate

21

Symphony No. 8 "Symphony of a Thousand" - Part II. Schlussszene von Goethes "Faust": "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus)

Joyce Barker, Arnold van Mill, Gustav Mahler, Emanuel School Boy's Choir, BBC Choral Society, Alfred Orda, Kerstin Meyer, Agnes Giebel, Beryl Hatt, Orpington Junior Singers, BBC Chorus, Goldsmith's Choral Union, London Symphony Orchestra, Hampstead Choral Society, Helen Watts, Jascha Horenstein, Kenneth Neate

22

Symphony No. 9: I. Andante comodo

Columbia Symphony Orchestra, Bruno Walter, Gustav Mahler

23

Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb

Columbia Symphony Orchestra, Bruno Walter, Gustav Mahler

24

Symphony No. 9: III. Rondo-Burleske. Allegro assai - Sehr trotzig

Columbia Symphony Orchestra, Bruno Walter, Gustav Mahler

25

Symphony No. 9: IV. Adagio. Sehr langsam und noch zurückhaltend

Columbia Symphony Orchestra, Bruno Walter, Gustav Mahler