Tempus fugit, Fugue in D Minor (dedicated to Yaara Tal)

Yaara Tal, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 1: Nicht zu langsam (Contrapunctus 1)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 5: Langsam (Contrapunctus 5)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 2: Sehr schnell (Contrapunctus 2)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Chorale Arrangements after Johann Sebastian Bach for Piano Duet: No. 2 Nun komm der Heiden Heiland (after Choral Prelude BWV 659)

Tal & Groethuysen, Reinhard Febel

Chorale Arrangements after Johann Sebastian Bach for Piano Duet: No. 1 Es ist gewißlich an der Zeit (after Choral Prelude BWV 734)

Tal & Groethuysen, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12a: Nicht zu langsam (Contrapunctus 12 Rectus+Inversus)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 4: Nicht zu langsam (Contrapunctus 4)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 9: Sehr schnell (Contrapunctus 9 alla Duodecima)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 8: Nicht zu langsam (Contrapunctus 8)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 16: Nicht zu schnell (Canon alla Decima. Contrapunto alla Terza)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13a: Schnell (Contrapunctus 13 Rectus+Inversus)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Klavierstück (1978 Version)

Bernhard Wambach, Reinhard Febel

Klavierstück

Edward Lambert, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 6: Langsam (Contrapunctus 6 per Diminutionem in Stylo Francese)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Chorale Arrangements after Johann Sebastian Bach for Piano Duet: No. 6 Wo soll ich fliehen hin (after Choral Prelude BWV 694)

Tal & Groethuysen, Reinhard Febel

Chorale Arrangements after Johann Sebastian Bach for Piano Duet: No. 7 Erbarme dich mein, o Herre Gott (after Choral Prelude BWV 721)

Tal & Groethuysen, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 11: Prestissimo possibile (Contrapunctus 11)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 15: Schnell (Canon in Hypodiapason - Canon alla Ottava)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 14: Nicht zu langsam (Canon in Hypodiatesseron per Augmentationem in Contrario Motu)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 12: Langsam (Contrapunctus 12 Rectus+Inversus)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Chorale Arrangements after Johann Sebastian Bach for Piano Duet: No. 5 Allein Gott in der Höh' sei Ehr (after Choral Prelude BWV 663)

Tal & Groethuysen, Reinhard Febel

Studie 7: Nicht zu schnell (Contrapunctus 7 per Augmentationem et Diminutionem)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Chorale Arrangements after Johann Sebastian Bach for Piano Duet: No. 4 Ich ruf zu Dir, Herr Jesu Christ (after Choral Prelude BWV 639)

Tal & Groethuysen, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 13: Prestissimo possibile (Contrapunctus 13 Rectus+Inversus)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studie 3: Leicht schwebend, nicht zu langsam (Contrapunctus 3)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 18: Maestoso, ma molto calmo (Fuga a 3 (4) Soggetti)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 10: Schnell (Contrapunctus 10 alla Decima)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Studies for 2 Pianos on "The Art of Fugue", BWV 1080 by J.S. Bach: Studie 17: Presto feroce (Canon alla Duodecima in Contrapunto alla Quinta)

Tal & Groethuysen, Johann Sebastian Bach, Reinhard Febel

Chorale Arrangements after Johann Sebastian Bach for Piano Duet: No. 3 Wo soll ich fliehen hin? (after Choral Prelude BWV 694) - Version a

Tal & Groethuysen, Reinhard Febel